This was one of the strongest and most visually interesting submissions I have seen for this assignment to date ! It was a really interesting themed body of work.
The issues raised in the previous report are as follows:
- Read Roland Barthes – Camera Lucida (see follow up work here)
- Look at the work of Eggleston (see here) / Parr (see here / Shore (see here and here) / Wood
You are responding very well to the feedback offered in my opinion and methodically address any issues as they are raised. The structure of your assignment submissions are very well organized and should benefit you during assessment.
Feedback on assignment
This assignment specifically looks at the use of colour and different colour use in deliberate relationships. [IE: Complementary / Similar / Contrasting etc]
The assignment works very well from start to finish and not only provides evidence of visual problem solving, but does it in an interesting manner. The work just caught my attention from the outset …. Which is so refreshing ! Not only was the work really visually interesting to look at, but it was clearly grounded in appropriate and relevant research (Anna Fox etc).
As a series the images work well together – Fig 03 and Fig 14 are really well observed and use both colour and the randomness of reflection to great advantage. The first shot almost has a relationship between the glance of the model to the couple walking by with the pink umbrella … which is a really interesting shot, that also deals with the colour relationship at its heart.
Then the use of DoF within Fig 14 was excellent, with so many layers being explored within the plane … the model actually looks like she is moving out through the glass shop front.
I also liked Fig 15, where the child is almost looking down from the reflected roof top. It looks like both the window contents and the integral reflection have both been carefully considered here in relation to interplay, which I think is why the work is so strong.
In addition to the below, I’d like you to take a look at the work of Victor Burgin (see follow up work here)…. And in particular his series in the mid 1970’s ‘what does possession mean to you?’ – I think you might be interested in this work in relation to this recent assignment submission. Also take a look at the most recent publication by Jason Evans called NYLPT … which has been created using double exposure.
Learning Logs or Blogs/Critical essays
The blog is really well structured and contains everything you would expect to see from a student studying at this level. It is easy to navigate and has been posted on regularly. Excellent work Steve.
Pointers for the next assignment
As you are already aware, it is important to continue to read around these practitioners as they will have an ongoing relevance to your studies at this level. In terms of your next assignment, I would suggest looking at the work of both Edward Weston and Irving Penn in specific relation to lighting an object and still life experimentation. [See Suggested Reading] I’m hoping you can also attend some more exhibitions and comment on this within your blog.
It was obviously pleasing to receive good feedback on assignment 3 and something of a relief as I know that the final submission had drifted away from some aspects of the requirements. There were a number of attributes of these images that I had worked hard to develop and it is especially pleasing that I managed to communicate these ideas to my tutor through the pictures.
Beyond the comments on assignment 3 there are some very helpful pointers to artists who might provide inspiration for assignment 4. Clearly the feedback on my work is very important but at the previous two feedback points my tutor has pointed me in the direction of specific artists or movements that have shaped the next phase of my study.
I will investigate Victor Burgin and Jason Evans in the context of assignment 3, I have taken a brief look at Jason Evan’s book and at the images I can find from Victor Burgin’s “what does possession mean to you?” and it is very clear why my tutor thought I might find these interesting. I suspect that both these works will be quite difficult to track down on line but I sense that it will be worthwhile.
I have searched the normal on-line second hand books shops and have Irving Penn’s “Still Life” and Edward Weston “Photographic Study” winging their way to me. I have also tracked down a collection of Bill Brandt’s photographs following an email conversation with my tutor today.
In addition to these three and for my own satisfaction I also want to finish studying Stephen Shore’s “From Galilee to the Nagrev” which I have had for a couple of weeks now. I am especially interested in seeing how his work has changed and developed since “Uncommon Places”. I was very affected by Austin Kleon’s brilliant little book “Steal Like an Artist” and have taken to heart his point that you need to study your chosen artist sources in depth if you are to reap the full benefit. I feel that this is a very relevant point at this stage when I am embarking on looking at a further three practitioners, I feel it is equally important to keep studying Shore and Parr (who are the two that have given me the most inspiration so far) so the next phase will be about maintaining an appropriate balance between new and established study paths.
My tutor makes a good point about exhibitions, I have only been to one since starting the course and this is clearly a poor effort. I have been invited to the Cecil Beaton exhibition currently taking place in Salisbury and loaded Time Out to my iPad today in an attempt to find some exciting contemporary artist on show in London.